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London National Gallery Top 20 09 Titian - Bacchus and Ariadne London National Gallery Top 20 10 Bronzino - An Allegory with Venus and Cupid London National Gallery Top 20 11 Caravaggio - The Supper at Emmaus London National Gallery Top 20 12 Anthony Van Dyck - Equestrian Portrait of Charles I London National Gallery Top 20 13 JMW Turner - The fighting Temeraire
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London National Gallery Top 20 11 Caravaggio - The Supper at Emmaus  [12 of 21]


Caravaggio - The Supper at Emmaus, 1601, 141 x 196.cm. Two of Jesus' disciples were walking to Emmaus after the Crucifixion when the resurrected Jesus himself drew near and went with them, but they did not recognize him. At supper that evening in Emmaus '... he took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight' (Luke 24: 30-31). Christ is shown at the moment of blessing the bread and revealing his true identity to the two disciples. The depiction of Christ is unusual in that he is beardless and great emphasis is given to the still life on the table. The intensity of the emotions of Christ's disciples is conveyed by their gestures and expression.
London National Gallery Top 20 11 Caravaggio - The Supper at Emmaus Caravaggio - The Supper at Emmaus, 1601, 141 x 196.cm. Two of Jesus' disciples were walking to Emmaus after the Crucifixion when the resurrected Jesus himself drew near and went with them, but they did not recognize him. At supper that evening in Emmaus '... he took bread, and blessed it, and brake and gave to them. And their eyes were opened, and they knew him; and he vanished out of their sight' (Luke 24: 30-31). Christ is shown at the moment of blessing the bread and revealing his true identity to the two disciples. The depiction of Christ is unusual in that he is beardless and great emphasis is given to the still life on the table. The intensity of the emotions of Christ's disciples is conveyed by their gestures and expression.